

Grammar


Tenses


Present

Present Simple

Present Continuous

Present Perfect

Present Perfect Continuous


Past

Past Simple

Past Continuous

Past Perfect

Past Perfect Continuous


Future

Future Simple

Future Continuous

Future Perfect

Future Perfect Continuous


Parts Of Speech


Nouns

Countable and uncountable nouns

Verbal nouns

Singular and Plural nouns

Proper nouns

Nouns gender

Nouns definition

Concrete nouns

Abstract nouns

Common nouns

Collective nouns

Definition Of Nouns

Animate and Inanimate nouns

Nouns


Verbs

Stative and dynamic verbs

Finite and nonfinite verbs

To be verbs

Transitive and intransitive verbs

Auxiliary verbs

Modal verbs

Regular and irregular verbs

Action verbs

Verbs


Adverbs

Relative adverbs

Interrogative adverbs

Adverbs of time

Adverbs of place

Adverbs of reason

Adverbs of quantity

Adverbs of manner

Adverbs of frequency

Adverbs of affirmation

Adverbs


Adjectives

Quantitative adjective

Proper adjective

Possessive adjective

Numeral adjective

Interrogative adjective

Distributive adjective

Descriptive adjective

Demonstrative adjective


Pronouns

Subject pronoun

Relative pronoun

Reflexive pronoun

Reciprocal pronoun

Possessive pronoun

Personal pronoun

Interrogative pronoun

Indefinite pronoun

Emphatic pronoun

Distributive pronoun

Demonstrative pronoun

Pronouns


Pre Position


Preposition by function

Time preposition

Reason preposition

Possession preposition

Place preposition

Phrases preposition

Origin preposition

Measure preposition

Direction preposition

Contrast preposition

Agent preposition


Preposition by construction

Simple preposition

Phrase preposition

Double preposition

Compound preposition

prepositions


Conjunctions

Subordinating conjunction

Correlative conjunction

Coordinating conjunction

Conjunctive adverbs

conjunctions


Interjections

Express calling interjection

Phrases

Sentences


Grammar Rules

Passive and Active

Preference

Requests and offers

wishes

Be used to

Some and any

Could have done

Describing people

Giving advices

Possession

Comparative and superlative

Giving Reason

Making Suggestions

Apologizing

Forming questions

Since and for

Directions

Obligation

Adverbials

invitation

Articles

Imaginary condition

Zero conditional

First conditional

Second conditional

Third conditional

Reported speech

Demonstratives

Determiners


Linguistics

Phonetics

Phonology

Linguistics fields

Syntax

Morphology

Semantics

pragmatics

History

Writing

Grammar

Phonetics and Phonology

Semiotics


Reading Comprehension

Elementary

Intermediate

Advanced


Teaching Methods

Teaching Strategies

Assessment
Literary applications of syllable constituents
المؤلف:
April Mc Mahon
المصدر:
An introduction of English phonology
الجزء والصفحة:
112-9
21-3-2022
1092
Literary applications of syllable constituents
Recognizing the onset and rhyme does not only allow us to write more accurate versions of our phonological rules, and to understand alternations between sounds which arise when we add an affix or combine words into longer strings, thus creating different syllabifications. These two constituents are also integral parts of two rather different literary traditions. In alliterative poetry, the important constituent is the onset, which must be identical in several words in a single line (and often, the more the better). An example from the Scots poetic tradition appears in (9); this is a short excerpt from the late fifteenth or early sixteenth century ‘Flyting of Dunbar and Kennedie’. A flyting is essentially a long string of insults, here hurled by each of the poets named in the title at the other, in turn. The use of alliteration, which is clear even from the two lines given, extends throughout the fairly lengthy poem.

It is clear that almost all of the words in the first line begin with
/k/, and those in the second with
/t/; and in some cases, here cocatrice, intemperate, the alliterating sound may appear in word-internal onset positions too. More obviously, or at least more familiarly, the rhyme of the syllable determines poetic rhyme: for a perfect rhyme, the nucleus and coda (if any) must be exactly the same, though whether there is an onset or not, or what it is, does not matter. That is, meet rhymes with eat, and with beat, and with sweet; but it does not rhyme with might or mate, where the nucleus is different; or with bee, where there is no coda; or with leek or beast, where there is a coda, but not one consisting of the single consonant /t/.
الاكثر قراءة في Phonology
اخر الاخبار
اخبار العتبة العباسية المقدسة
الآخبار الصحية

قسم الشؤون الفكرية يصدر كتاباً يوثق تاريخ السدانة في العتبة العباسية المقدسة
"المهمة".. إصدار قصصي يوثّق القصص الفائزة في مسابقة فتوى الدفاع المقدسة للقصة القصيرة
(نوافذ).. إصدار أدبي يوثق القصص الفائزة في مسابقة الإمام العسكري (عليه السلام)