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Grammar

Tenses

Present

Present Simple

Present Continuous

Present Perfect

Present Perfect Continuous

Past

Past Simple

Past Continuous

Past Perfect

Past Perfect Continuous

Future

Future Simple

Future Continuous

Future Perfect

Future Perfect Continuous

Parts Of Speech

Nouns

Countable and uncountable nouns

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Singular and Plural nouns

Proper nouns

Nouns gender

Nouns definition

Concrete nouns

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Common nouns

Collective nouns

Definition Of Nouns

Animate and Inanimate nouns

Nouns

Verbs

Stative and dynamic verbs

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To be verbs

Transitive and intransitive verbs

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Modal verbs

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Verbs

Adverbs

Relative adverbs

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Adverbs

Adjectives

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Pronouns

Pre Position

Preposition by function

Time preposition

Reason preposition

Possession preposition

Place preposition

Phrases preposition

Origin preposition

Measure preposition

Direction preposition

Contrast preposition

Agent preposition

Preposition by construction

Simple preposition

Phrase preposition

Double preposition

Compound preposition

prepositions

Conjunctions

Subordinating conjunction

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conjunctions

Interjections

Express calling interjection

Phrases

Sentences

Clauses

Part of Speech

Grammar Rules

Passive and Active

Preference

Requests and offers

wishes

Be used to

Some and any

Could have done

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Giving advices

Possession

Comparative and superlative

Giving Reason

Making Suggestions

Apologizing

Forming questions

Since and for

Directions

Obligation

Adverbials

invitation

Articles

Imaginary condition

Zero conditional

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Second conditional

Third conditional

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Demonstratives

Determiners

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Linguistics

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قم بتسجيل الدخول اولاً لكي يتسنى لك الاعجاب والتعليق.

Vowels DRESS

المؤلف:  Augustin Simo Bobda

المصدر:  A Handbook Of Varieties Of English Phonology

الجزء والصفحة:  886-50

2024-05-14

1534

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Vowels DRESS

The main splits in the KIT set, as seen above, warrant the establishment of at least two other sets which I will call the paintEd and villAge sets. The paintEd set would comprise words in -ess (actress, princess), -less, -ness, -men. The villAge set would comprise words in –ace, -ain, -ate, -ein.

 

RP has only one mid-front vowel, which many authors situate slightly above cardinal vowel No 3. It is represented in many systems of transcription, including the one used by Wells’ UCL Department of Phonetics, with the symbol /e/ which, in strict phonetic terms, is the symbol for cardinal vowel No 2 which does not represent the exact quality of the DRESS vowel. Since RP has only one mid-front vowel, the use of /e/ poses no major problem. But the situation is different in CamE, which offers an interesting split of the DRESS vowel. The regular realizations of the DRESS vowel are /ε/ and /e/, which are in complementary distribution in some cases: /ε/ occurs in final syllables as in pen, rest, breast, while /e/ occurs before one and only one medial consonant, and before Cj, Cw and Cr sequences as in element, medical, special, educate, equity, equalize, metric, retrograde. The tensing of /ε/ to /e/ in this context is known in the literature (Simo Bobda 1994: 181f) as the E-Tensing Rule. /e/ further occurs frequently before the sequences mC and nC as in embassy, emperor, member, centre, mention. /e/ finally occurs with the common word says, as a result of the local restructuring of the FACE vowel induced by the analogy with say and other words in orthographic ay.

 

Other realizations of the DRESS vowel are induced by some analogy with an existing pattern. S[i]nate is thus due presumably to the influence of seen, scene; Gr[i]nwich is induced by the pronunciation of green; m[i]dow, p[i]sant, z[i]lous, cleanly (adjective) are induced by the majority of the words in ea pronounced with /i/; and /i/ in de-, pre-, and re- words like d[i]claration, pr[i]paration, r[i]servation is induced by the pronunciation of declare, prepare, reserve, etc. Loose resemblance with words beginning with –in, -inter, etc. can be held responsible for [i]nter, [i]ntrance, while English, England can be seen as the source of confusion for CamE [i]ngine, [i]ngineer.

 

Finally, the non-application of the RP rule of Trisyllabic Tensing is responsible for /i/ in ser[i]nity, supr[i]macy, obsc[i]nity, and /iε, iə/ , the CamE version of the NEAR vowel as shown below, in aust [iε, iə] rity, sinc [iε, iə] rity, sever [iε, iə] rity, which correspond to the pronunciation of the bases austere, sincere, severe, respectively.

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