The signs of ASL are sometimes mistakenly believed to be simple visual representations or “pictures” of the objects and actions they refer to and the whole language is 204 The Study of Language thought to consist of a limited set of primitive gestures that look like objects or mimic actions in pantomime. Such misconceptions may persist because the hearing world rarely witnesses conversations or technical discussions conducted in ASL, which can range over every imaginable topic, concrete and abstract, and which bear little resemblance to any form of pantomime.

Interestingly, as non-users of ASL, when we are told that a sign is used to refer to a particular object or action, we can often create some symbolic connection that makes the relationship between sign and signified seem more transparent in some sense. We may look at the sign for THANK-YOU and see it as some appropriately symbolic version of the action of “thanking.”

However, most of the time, interpretation doesn’t work that way in the opposite direction. We normally find it difficult to get the meaning of a sign simply on the basis of what it looks like. Indeed, as when confronted with any unfamiliar language, we may not even be able to identify individual signs (words) in fluent signing. If we can’t see the “words,” we are hardly likely to be able to identify the “pictures” needed for their interpretation. Most everyday use of ASL signs by fluent ASL-users is not based on identifying symbolic pictures, but on recognizing familiar linguistic forms that have arbitrary status. As an experiment, try to decide what English word would be the translation of the common sign illustrated here.

In use, this sign consists of rotating both hands together with the fingers interlocked in front of the chest. Several different interpretations have been suggested for the source image of this sign. In one, it represents the stripes on a flag, in another, it’s a mixing pot, and in yet another it’s a coming together. To suggest that any of these images comes into the mind of a signer who uses the sign in conversation to refer to AMERICA is as absurd as proposing that in hearing the word America ,

an English speaker must be thinking about Amerigo Vespucci, the sixteenth-century Italian whose name is reputed to be the source of the modern word. The signs in ASL have their meanings within the system of signs, not through reference to some pictorial image each time they are used.

اخر الاخبار

اخبار العتبة العباسية المقدسة

مكتب المتولي الشرعي للشؤون النسوية يناقش استعداداته لإقامة مهرجان روح النبوة الثامن وحفل تخرج الطالبات العاشر

الهيأة العليا لإحياء التراث تشارك بمؤتمر دولي عن السيد الميلاني (قدس سره) في إيران

وفد متحف الكفيل يطّلع على النفائس والوثائق التاريخية في متاحف العتبة الرضوية المقدسة

قسم الشؤون الطبية يواصل تنظيم ورش تدريبية لرفع كفاءة المنتسبين في الإسعافات الأولية

المزيد

الآخبار الصحية

خصوصا مع تقدم السن.. 6 سلوكيات يومية قد تدمّر صحتك

فاكهة خضراء.. علاج طبيعي فعّال للإمساك واضطرابات الهضم

روسيا تبدأ أولى التجارب السريرية للقاح واعد ضد السرطان

كنز غذائي على طبقك.. ماذا تفعل السبانخ بجسمك؟

المزيد

الآخبار التكنلوجية

رصد نوع نادر من القطط في تايلاند للمرة الأولى منذ عقود

روسيا تخطط لإقامة محطة نووية في القمر خلال العقد المقبل

كيف قاد إيلون ماسك حملة "غروك" لاختراق عرش الذكاء الاصطناعي

ألتمان: الذكاء الاصطناعي سيتجاوز البشر في 2026 !

المزيد

مواضيع ذات صلة

Conceptual Metaphor Theory

What is metaphor?

Can the distinction be maintained between Conventional and non-conventional language use?

Literal and figurative language as complex concepts

Literal versus figurative language

Metaphor and metonymy

Categorisation and idealised cognitive models Summary

The structure of ICMs

Addressing the problems with prototype theory

Radial categories as a further source of typicality effects

Sources of typicality effects

The theory of idealised cognitive models